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observation, reframing, cross-pollination, patterns

A friend in college once told me our campus architecture was originally designed for a college in Arizona, with a form meant to cool by retaining and amplifying wind.

As I walked through our campus one cold and windy day, I thought: why was this slight detail overlooked when deciding to use the design at our campus instead? Even more interesting, how does it work?

I tried envisioning how the buildings affect air and wind flow, as an engineer might. It felt as if a sheet of tracing paper was laid over what I was seeing, like a sleek aerospace diagram with arrows everywhere. Then I continued: what would another specialist say? I rolled through a series of disciplines and types, thinking what each would likely see, and then I had an epiphany, terribly obvious in hindsight:

It was one of the first times I remember thinking critically of cross pollination among disciplines. I didn't think much of it at the time, just simply took note of it.

A sound engineer sees the direction of sound waves, hears the sound as dampened or reflected by textures and objects in the space

An urban planner sees hills, flows of pedestrian traffic and structures that facilitate or block directions of movement

A graffiti artist looks for flat surfaces and continuity among them, although they may be separate, and texture for how to apply what paint.

A skater looks for lines and curves as paths for movement and subtle changes in elevation for momentum. Textures of surfaces and leading edges are for contact with the bottom of the board.

s t e v e n d @ c s t r e a m s . c o m

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